Wednesday, 18 September 2019

YAGANTI THE SACRED SHRINE OF EVER GROWING NANDI


YAGANTI 
THE SACRED SHRINE OF EVER GROWING NANDI

Our sages, Rishis, called our sacred land as Aryavartha. Here everything is divine and any place, idol, animal etc. are attached to divinity. When it comes to temples an ordinary man like me cannot explain, or to say even express about their power, sacredness or the super natural power of that sacred place. There are some temples that have wonderful legends attached to them. Some are rich in architectural splendor, others in the divinity and vibration that they generate. Very few have all these things intact even after several hundreds of years. One such temple is the Yaganti Sri Uma Maheswara Swamy temple situated in ‘Erramala’ hills of Rayalaseema area.  The Yerramala hills have numerous natural caves around the temple which have been the abode of many saints over the years.

Yaganti Temple is dedicated to Lord Siva, located in Yagnti near Babanganipalle of Kurnool district in the state of Andhra Pradesh. Yeganti is the actual name of this place, which means, yenu+ kanti which interprets ‘I Saw’ in English. In Telugu Enu = Nenu and Kanti = choochithini, representing ‘I Saw’. As time passed by it assumed the name Yaganti.
This magnificent temple commands high respect, reverence and devotion not only due to it being a temple of Lord Siva but also due to several other unusual features. It is very rare to find Lord Siva in the form of an idol that too along with his consort Devi Uma on the same stone where we find lord Siva. We don’t find Siva Linga there as we see in all other such sacred places.
This temple of Lord Shiva was patronized in the 5th and 6th centuries by various Pallava and Chola rulers but completed in the 15th century by Emperor Harihara and his brother Bukka Raya of Sanga Dynasty of the Vijayanagara Empire. This temple had glorious time during that period.
The temple lends an extraordinary setting and extreme scenic beauty owing to which it is often considered as one of the most popular attractions in Andhra Pradesh.
The three famous caves situated around the temple are the Agastya Cave, the Venkateswara Cave and the Veera Brahmam Cave.

It is believed that Sage Agastya did penance here for Lord Siva. One should climb up 120 steps to reach the cave entrance. Shrine for Goddess Parvathi is located here.
According to the legends, while returning from The North, Sage Agastya came across Yaganti and impressed with the natural beauty around and thought of installing Lord Venkateswara Idol here. However my inquiries with scholars reveal that Agastya Maharshi did not take his rout this way as per the Puranas like Skanda Purana, Vishnu Purana and Linga Purana etc.  Moreover the word Venkata is not from Sanskrit but from Tamil and came into existence in 12th century. As such I doubt this idol would have been situated after 12th century. However the beauty of the cave and idol therein will not allow our site to tilt.

As such the following that floats around, I consider, to be a myth. However I give the story here under for sake of the readers who are interested to know.
At the time of installation of the Vishnu’s idol, Sage Agastya noticed that the Idol’s toe nail was broken and stopped the installation. Agastya Rishi was upset and did a penance to know the reason. Lord Siva appeared before him and told him that this place resembles Mount Kailas so it suits for a Saiva Kshetra and that is why he was not able to install the Idol. Some say Lord Siva appeared in the dream of the Raja of that province as above. However happy on hearing that, Agasthya sought a boon from the Lord that he should ever remain there, along with his consort Parvathi, granting blessings to all those who prayed to him. Pleased with his devotion, Lord Shiva appeared along with Parvathi Devi in a single stone as a Swayambu with Siva and Parvathi side by side on the same stone. It is indeed an amazing scene to see the distinct roopas of both Lord Shiva and Parvathi Devi as Swayambumoorthies in the Sanctum Sanctorum. The two distinct images are also smeared with Vibhooti (Sacred Ash) and Turmeric to distinguish Lord Shiva and Parvathi. It is absolutely an electrifying experience to stand before this magnificent Murthis and pray. But the name of the place during that period is not known.
Another version of the story is, there lived a Siva’s ardent devotee by name Chitteppa. For whom Lord appeared in the form of a Tiger, knowing this, he started shouting as ‘Eganti Sivuni’ meaning  ‘Neganti Shivuni’  which means ‘I saw Siva’ in English as I have already explained earlier .
This Venkateswara Cave as they call it,  is relatively easier to climb as compared to the Agastya Cave.

The Veera Brahmam Cave is much lower in height and requires one to bend over to enter into the cave. Saint Sree Potuluri Veera Brahmendra Swamy had exhorted prophecies (Kala Gnyanam) while staying in this cave.
All these caves are open for worship throughout the day. Artificial lights are provided as there is hardly any natural light available inside.
A very significant and remarkable feature of this temple is that the temple tank consists of sacred holy water flowing from the tank.
The water flows into the pond from the mouth of Nandi (Bull) and the source, even today, is not found.
There is another small fresh water pond next to the main temple in which there will be fresh water throughout the year.
A very bizarre fact about the place is that crows are forbidden to fly in Yaganti. It is said when sage Agastya was meditating here, Kakasura, the king of crows continuously distracting his penance and in rage sage Agastya cursed and they were\are forbidden to be seen even in the vicinity of the shrine. As such people believe, since crow is the vahana (vehicle) of Shani Graha, Shani will not bother anyone who worship Uma Maheswara Swamy. Hence people come and worship here to get rid of Shani dosha.
Now we come to the most interesting part of Yaganti. It is a monolithic Nandi statue which is growing by an inch every 20 years. Moreover it is   not situated before the deity as is seen in any other Siva Temple by and large. It is said people used to perform circumambulations (Pradakshinas), around the idol of Nandi years ago. Due to the increasing size of the idol enough space is not available to go round. This fact of growing Nandi has been confirmed by Archeological Survey of India also.
Sri Potuluri Veera Brahmendra Swamy mentioned in his prophecy that the idol of Nandi would come alive at the end of the Kaliyuga and the bellow of that bull (roar) with such a rage that a weak hearted person will die instantly. It is also said that, Millions of horses will come from the caves of Yaganti, to serve the Army of Lord Kalki.
In Yaganti, on top of a hill, which looks so steep and narrow, an Akasa Deepam is lit every evening and the normal size of the wick is 2 meters and the oil used to burn from morning 6am to evening 6pm is 4 liters.  At such a height and in open air on top of the hill, it is indeed amazing to note as to how the lamp burns against the strong winds.

The festival of Maha Siva Ratri which falls around February each year is celebrated with great pomp and show at the temple. Tourists and especially devotees of Lord Shiva flock to the temple in huge numbers during this time. Shravana Masa (Around July) the influx will be more to see Umamaheshwara. Free food is provided for the pilgrims.
Swasthi.

Saturday, 14 September 2019

Nachiar Kovil – Kal Garudan


Nachiar Kovil – Kal Garudan
(నాచ్చియార్ దేవాలయ శిలా గరుత్మంతుడు)

Nachiar Kovil or Thirunarayur Nambi Temple, is situated in Thirunarayur, a village in the outskirts of Kumbakonam in the South Indian state of Tamil Nadu. It is constructed in Dravidian style of architecture. It is one of the 108 divyadesams dedicated to Vishnu, who is worshipped as Srinivasa Perumal and his consort Lakshmi as Nachiyar or Vanjulavalli Thayar. Here Mahalakshmi is given prominence and all rituals are conducted to her first and then to Lord Srinivasa.

When Goddess Lakshmi departs Vaikutha after a scuffle with the lord, it is said that Garuda was the one to trace Mahalakshmi to this place and led Mahavishnu here. As a mark of gratitude, Lord Vishnu has blessed Garudan to receive equal status at this temple. Sri Garuda Bhagwan graces the devotees from His shrine holding 9 snakes.

As per local legend, the sculptor who sculpted the idol of Garuda got frustrated as the bird flew away each time, and he sculpted a new murthy.  The frustrated sculptor due to recurrence of the event, he threw a stone at Garuda, who got injured. Then he decided to stay as Kal Garuda (రాతి గరుత్మంతుడు). The murthy of Kal Garuda is made of Saligrama and is housed in the shrine outside the main sanctum.

The most astounding factor at this temple which is yet to be discovered by the present day Scientists is that, during festive procession in the Tamil months of Margazhi(మార్గశిర మాసము) (December–January) and Panguni (ఫాల్గుణ మాసము) (April – May), the festive images are carried out in procession in Kal Garudar. While only four people are needed to carry the idol of Garuda to bring out of the shrine, it multiples to 8, 16, 32, 64 and 128 people when the murthy is taken outside for circumambulation round the temple.

The staggering fact is that the weight of the Garuda murthy remaining the same when carried by 4 people and there on in multiples of 4 up to 128, it becomes imminent on the people who offered their shoulders to add on in multiples of four at every pre-identified point, up to a peak of 128 and there from the number will reduce to 4 in the same descending order of multiples in the same way. The devotees believe it to be a supernatural force is acting on that murthy. If we replicate the same murthy somewhere else, 128 people are required to lift. On the way back only 4 people are required to carry the float in the decreasing order 128, 64, 32, 16, 8, 4. Another incredible fact is that is treated as magical is, drops of sweat are observed on the image of Kal Garuda during the six hour long procession. These are all bare facts beyond the reach of Modern Science.

Kal Garudan is the Vara Prasadhi at this temple and answers all the wishes of the devotees are fulfilled by praying to Him on nine consecutive Thursdays. He removes the naga doshams, blesses childless couples with progeny, removes obstacle in marriage etc.
Swasthi.

Wednesday, 7 August 2019

Caring woman and a crack pot


Caring woman and a crack pot

Please take out some time to read this story.
 An elderly Chinese woman had two large pots, each hung on the ends of a pole, which she carried across her neck.

One of the pots had a crack in it while the other pot was perfect and always delivered a full portion of water, at the end of the long walk from the stream to the house, the cracked pot arrived only half full.

For a full two years this went on daily, with the woman bringing home only one and a half pots of water. Of course, the perfect pot was proud of its accomplishments. But the poor cracked pot was ashamed of its own imperfection, and miserable that it could only do half of what it had been made to do.

After 2 years of what it perceived to be bitter failure, it spoke to the woman one day by the stream. “I am ashamed of myself, because this crack in my side causes water to leak out all the way back to your house.”

The old woman smiled, “Did you notice that there are flowers on your side of the path, but not on the other pot’s side?” “That’s because I have always known about your flaw, so I planted flower seeds on your side of the path, and every day while we walk back, you water them. For two years I have been able to pick these beautiful flowers to decorate the table. Without you being just the way you are, there would not be this beauty to grace the house.”

~~~ Thinking Time ~~~

Each of us has our own unique flaw. But it’s the cracks and flaws we each have that make our lives together so very interesting and rewarding. You’ve just got to take each person for what they are and look for the good in them. Flaw is natures law.It is like a knife. It cuts vegetables may also cut the fingers. It all depends on how we make use of it.

A MAN AND A FROG


A MAN AND A FROG
Take out some time to go through these few words
Human Beings and frogs are the two creatures in nature who have tremendous power to adjust. Put a frog in a vessel of water and start heating the water. As the temperature of the water rises, the frog is able to adjust its body temperature accordingly. The frog keeps on adjusting with increase in temperature. Just when the water is about to reach boiling point, the frog is not able to adjust anymore. At that point the frog decides to jump out. The frog tries to jump but is unable to do so, because it lost all its strength in adjusting with the water temperature. Very soon the frog dies.
What killed the frog? Many of us would say the boiling water.
But the truth is what killed the frog was its own inability to decide when it had to jump out.
We all need to adjust with people and situations, but we need to be sure when we need to adjust and when we need to face. There are times when we need to face the situation and take the appropriate action.
If we allow people to exploit us physically, emotionally or financially, they will continue to do so. We have to decide when to jump. Let us jump while we still have the strength! ?
Right plan at the right time, Right decision at the right time and perfect execution at the perfectly right time makes you a victor.


Saturday, 3 August 2019

FRIEND

FRIEND

What is life without a friend
whether in past or present trend
with love filled to the brim
like a holy angel trim and prim
with full of glee that can never flee

under the affable copious sky
you should as a cloud in solitude
with no longitude or latitude
filled with despair starving for a friend
no matter colour country cast or creed
a plant that shoot up gently to the height
is friend in need and a friend indeed


GANDHIJI (Freelance Poem)

GANDHIJI

As Oct 2nd is fast approaching I want to post these few lines about Gandhiji. this was written by me some 17 years back to my daughters for a poetry event they have competed. Their rendition was recognised and they were awarded a prize.

Here it follows:

Gandhiji was born on 2nd October 1869 at Porbunder in Gujarat.He was frail timid and shy while he was young.In 1883 he went to South Africa as a lawyer to a Muslim firm and there he observed humiliation and harassment of non whites there. He fought a relentless battle there and also in India after coming back against the Britishers with a single weapon 'SATYAGRAHA', which is his brain child meaning 'Demand for the rights within he frame work of truth and nonviolence(Satya and
Ahimsa)

This walking skeliton when came back to India, hundreds of thousands of heroes out of common clay and inspired them to even risk their fortunes,families,lives and endure prison and poverty along with him to take out our country from the clutches of the British:

His talk for the country men was cooling
For the Britishers freezing

His talk for the country men was warming
For the Britishers  burning

His talk for the country men was raining
For the Britishers  flooding

His talk for the country men was healing
For the Britishers ailing

His talk for the country men was soothing
For the Britishers  searing

His talk for the country men was tonic
For the Britishers  toxic

By himself he was so simple
For the Britishers he was an un-inferred sample


The facts which  I made a mention
May not be, please, scored out as fiction

For he who created sensation
By waking up the people in hibernation

Sacrificed his life for the nation
Received from us a bullet as donation

And an award as the 'Father of Nation'
For whom I have at most admiration


His dream of wiping of every tear from every eye
could not fulfill as he was laid to such a sleep
Where he can't dream of getting any dream at all

I love him with the breathe,smiles,tears of all my life
And if God choose, I shall love him better after death


Saare Jahan se Achha

Saare Jahan se Achha

A Translation Into English To My Mite

Hindustan the dazzling sapphire
Is the best in the world entire
She is the garden we are cuckoos
singing ever in warbling choir

That great mountain stands sow high
nothing it is but shade of sky
That guard, tough and too much tall
Allows away foes always fly

Frolic brooks that play cris cross
In her loins with all rivers
hide and seek in floral plains
Ready to always vie with heavens

Any religion Gods' creation
teaches not to harbor spite
We are the citizens of this nation
That gives boons of many a trait


This may not be a true translation of 'Janab Iqbal'
and my work I know can not stand in parallel to
what he has written in Urdu.
But still this is humble effort to pay tribute to his great work.
hope the readers appreciate my effort.