Monday, 17 April 2017
PLEASE HINDUS, DON’T SAY: “ALL RELIGIONS ARE THE SAME”
Thursday, 23 March 2017
Paramapada sopana patamu
Paramapada sopana patamu
https://ramamohanraocheruku.blogspot.com/2017/03/paramapada-sopana-patamu-game-had-its.html
The game had its origin in India and was called Parama Pada
sopana patamu or Mokshapatam. It was used to teach Hindu Dharma and Hindu
values to children. The British renamed it as Snakes and Ladders.
The game was created by the 13th century poet saint
Gyandev. The ladders in the game represented virtues and the snakes indicated
vices. The game was played with cowrie shells and dice. Later through time, the
game underwent several modifications but the meaning is the same i.e. good
deeds take us to heaven and evil to a cycle of re-births. There are certain
references which take the game back to 2nd century BC.
Indian-snakes-n-ladders.jpg
Indian Snakes and Ladders game (1700’s AD)
In the original game square 12 was faith, 51 was
Reliability, 57 was Generosity, 76 was Knowledge, and 78 was Asceticism. These
were the squares were the ladder was found. Square 41 was for Disobedience, 44
for Arrogance, 49 for Vulgarity, 52 for Theft, 58 for Lying, 62 for
Drunkenness, 69 for Debt, 84 for Anger, 92 for Greed, 95 for Pride, 73 for
Murder and 99 for Lust. These were the squares were the snake was found. The
Square 100 represented Nirvana or Moksha.
There are a hundred squares on a board; the ladders take
you up, the snakes bring you down. The difference here is that the squares are
illustrated. The top of the ladder depicts a God, or one of the various heavens
(kailasa, vaikuntha, brahmaloka) and so on, while the bottom describes a good
quality. Conversely, each snake’s head is a negative quality or an asura
(demon). As the game progresses, the various karma and samskara, good deeds and
bad, take you up and down the board. Interspersed are plants, people and
animals.
The game serves a dual purpose: entertainment, as well as
dos and don’ts, divine reward and punishment, ethical values and morality. The
final goal leads to Vaikuntha or heaven, depicted by Vishnu surrounded by his
devotees, or Kailasa with Shiva, Parvati, Ganesha and Skanda, and their
devotees. In this age of moral and ethical degeneration, this would be a good
way of teaching values to children who think they already know more than their
parents.
The British took the game to England in 1892 and named it
Snakes and Ladders and changed it according to Victorian values.
Swasthi.
The game had its origin in India and was called Parama Pada
sopana patamu or Mokshapatam. It was used to teach Hindu Dharma and Hindu
values to children. The British renamed it as Snakes and Ladders.
The game was created by the 13th century poet saint
Gyandev. The ladders in the game represented virtues and the snakes indicated
vices. The game was played with cowrie shells and dice. Later through time, the
game underwent several modifications but the meaning is the same i.e. good
deeds take us to heaven and evil to a cycle of re-births. There are certain
references which take the game back to 2nd century BC.
Indian-snakes-n-ladders.jpg
Indian Snakes and Ladders game (1700’s AD)
In the original game square 12 was faith, 51 was
Reliability, 57 was Generosity, 76 was Knowledge, and 78 was Asceticism. These
were the squares were the ladder was found. Square 41 was for Disobedience, 44
for Arrogance, 49 for Vulgarity, 52 for Theft, 58 for Lying, 62 for
Drunkenness, 69 for Debt, 84 for Anger, 92 for Greed, 95 for Pride, 73 for
Murder and 99 for Lust. These were the squares were the snake was found. The
Square 100 represented Nirvana or Moksha.
There are a hundred squares on a board; the ladders take
you up, the snakes bring you down. The difference here is that the squares are
illustrated. The top of the ladder depicts a God, or one of the various heavens
(kailasa, vaikuntha, brahmaloka) and so on, while the bottom describes a good
quality. Conversely, each snake’s head is a negative quality or an asura
(demon). As the game progresses, the various karma and samskara, good deeds and
bad, take you up and down the board. Interspersed are plants, people and
animals.
The game serves a dual purpose: entertainment, as well as
dos and don’ts, divine reward and punishment, ethical values and morality. The
final goal leads to Vaikuntha or heaven, depicted by Vishnu surrounded by his
devotees, or Kailasa with Shiva, Parvati, Ganesha and Skanda, and their
devotees. In this age of moral and ethical degeneration, this would be a good
way of teaching values to children who think they already know more than their
parents.
The British took the game to England in 1892 and named it
Snakes and Ladders and changed it according to Victorian values.
Swasthi.
KNOWLEDGE
Saturday, 18 March 2017
Why do we need a museum for colonial atrocities?
This famous monument, built between 1906 and 1921, stands testimony to the glorification of the British Raj in India. It is time, I argued, that it be converted to serve as a reminder of what was done to India by the British, who conquered one of the richest countries in the world (27 percent of global gross domestic product in 1700) and reduced it to, after over two centuries of looting and exploitation, one of the poorest, most diseased and most illiterate countries on Earth by the time they left in 1947.
It is curious that there is, neither in India nor in Britain, any museum to the colonial experience. London is dotted with museums that reflect its imperial conquests, from the Imperial War Museum to the India collections at the Victoria and Albert Museum and the British Museum itself.
Friday, 17 March 2017
A Discussion between the Granddaughter and Grandfather
Importance of ringing bell in our pooja and also in temples
It is told, in Puranas, Lord Brahma, the angels and Maharshis like Sanaka, sanandana wait for the darshan of Lord Venkateswara at the golden gate. Opposite to the golden gate, there is Garuda Mandapam. The pavilion that links the golden gate and the Garuda Mandapam is called ‘Ghanta Mandapam’ or 'Tirumaamani mandapam' where the bells are situated. It was constructed in 1461 A.D. by Mallanna, a native of Chandragiri and minister in the Vijaya Nagara Empire.
The sounding of a bell resonates with a meaning in the Hindu religion, as it is considered a way of seeking God’s attention, within and the external. Also, it is often associated with the echoes of `Creation’.
The Omkaram is considered the source of every sound and scholars say that it was from the very essence of this sound that the Vedas, the foundations of Indian culture and tradition took birth.